He gives them names like Miss Lonelyhearts and Miss Torso. He gets energized by telling others about what's going on at the other windows and creates a narrative about his neighbors. The only way for him to have any sense of agency is to look in on other people's lives. But as a result of his injury, he's kind of powerless. His entire job is based on watching, so it makes sense that all he would want to do is watch people in his free time too. His occupation is a photographer his main objective is to look at and observe things and people through his lens. What forms this connection between Jeffries and the audience is his perpetual status as a watcher. In the middle of it, Jefferies believes he has witnessed the murder of one of his neighbors by her husband Thorwald ( Raymond Burr) and he, along with Fremont, tries to both confirm their suspicions and expose the crime. Based on the short story It Had To Be Murder by Cornell Woolrich, the plot revolves around photographer Jeffries who is housebound as a result of a leg injury, spending his recovery period watching his neighbors in their apartment buildings. Released in 1954, Rear Window starred Hitchcock collaborators and American film icons Jimmy Stewart and Grace Kelly as L.B. While his films range from location-spanning spy thrillers to deeply disturbed tales of horror, there's one that serves the near Herculean feat of having much of the action centered in one room. With Oscar nominations, Golden Globes, and a treasure trove of iconic contributions to cinema, his tales of crime and suspense have become some of the most discussed and beloved in all of cinema. Alfred Hitchcock is one of the greatest filmmakers of all time.
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